Nella Giungla
Artist: Francesco Guccini
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About Francesco Guccini
Francesco Guccini is one of the most admired of the Italian cantautori. The album also included his signature song "La Locomotiva," based on the real story of an anarchist who stole a train engine in 1893, and drove it at full speed into Bologna's main station, crashing it. The song went on to became a symbol of the Italian left, and forever cast in stone Guccini's reputation as a "political" songwriter -- a judgment that even a cursory examination of Guccini's work would expose at best as highly restrictive, if not misleading. nGuccini's first four albums are all seminal masterpieces of Italian folk-rock and constitute essential listening for anyone interested in modern Italian culture. They also featured the bulk of Guccini's greatest songs, with classics such as "Vedi Cara," "L'Isola non Trovata," "Un Altro Giorno è Andato," "Il Vecchio ed il Bambino," or "Incontro" (plus the songs already mentioned above), all to become staples of his superb live repertoire. Guccini's subsequent albums were overall more consistent than brilliant, but for all of their customary seriousness of design and execution, tended to include fewer memorable songs -- roughly one classic per album. The one notable exception was 1976's Via Paolo Fabbri 43, that added the legendary rant "L'Avvelenata," as well as the moving "Canzoni Quasi d'Amore" and "Il Pensionato" to the canon of Guccini's finest. The tango-influenced Signora Bovary from 1987 was an elegant return to form, continued in 1990 with the much praised Quello Che Non.... While Guccini's records were no longer considered as indispensable as they had been in the '80s, they were still typically well-received, in both commercial and critical terms. However, it was his ever-popular concerts and live albums, such as the excellent Fra la Via Emilia e il West(perhaps the best introduction to the artist), that truly kept him alive in the public imagination. His studio albums from the '90s and 2000s were few and virtually interchangeable, and denoted an intensification of Guccini's erudite prose, which gained him considerable literary recognition and awards. In 1989 he published his first novel, the best-seller Croniche Epifaniche, and has since divided his time between literature and music, writing several novels and short stories (including a series of popular crime thrillers with Loriano Macchiavelli) as well as a dictionary of the Pavana region dialect. In addition, in the first decade of the 21st century, the 60-year old Guccini took to appearing in films -- ostensibly just for the fun of it -- most notably in fellow singer and friend Luciano Ligabue's directorial debut Radiofreccia, and in two of Leonardo Pieraccioni's blockbusters. ~ Mariano Prunes, All Music Guide
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